Police Launch Probe After Pro-Palestine Chants During Glastonbury Sets by Kneecap and Bob Vylan


Police Launch Probe After Pro-Palestine Chants During Glastonbury Sets by Kneecap and Bob Vylan

Avon and Somerset Police have confirmed they are investigating after two acts at Glastonbury Festival led crowds in pro-Palestine chants, prompting a heated debate both online and within political circles.

The performances in question took place on the West Holts Stage and involved Belfast-based hip-hop group Kneecap and London punk duo Bob Vylan. Both acts encouraged audiences to join them in chants of “Free Palestine” during their respective sets on Saturday.

The BBC streamed part of Bob Vylan’s performance live, capturing the moment lead vocalist Bobby Vylan shouted the chant into the crowd, which responded with loud support. Just minutes later, Kneecap followed with their own politically charged set, again calling for Palestinian solidarity.

In a statement posted to social media platform X (formerly Twitter), Avon and Somerset Police wrote:

“We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon.

Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.”

The announcement comes at a time when tensions remain high surrounding public expressions of support for Palestine amid ongoing global conflict, and follows an earlier controversy involving Kneecap’s Mo Chara (real name Liam Óg Ó hAnnaidh), who has recently been charged with a terrorism-related offence. He denies all allegations.

Kneecap, known for their provocative lyrics and pro-Irish Republican stance, have often blended politics with performance. Their set at Glastonbury included references to British colonialism and solidarity with oppressed peoples globally.

Moglai Bap and Mo Chara of Kneecap performing at Glastonbury - Credit: PA

Bob Vylan, meanwhile, have long used their platform to speak out against racism, inequality, and injustice. Their Glastonbury set also included anti-establishment themes that resonated with many fans.

While some festivalgoers and online supporters praised the artists’ courage to speak out, others have criticised what they see as politicising a public entertainment event, with commentators divided over whether the chants breached legal boundaries.

Festival organisers have so far declined to comment, though Glastonbury has long been known as a stage for political expression and activism. Whether police determine any laws were broken remains to be seen, but the controversy has once again reignited debates about freedom of speech, protest, and performance art.

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